After an epidemic causes most New Yorkers to flee, Candace Chen stays behind and continues her routine: going to work, getting paid, and blogging about the deserted city. Eventually, though, Candace will have to leave--putting her at the mercy of a power-hungry IT specialist named Bob.

"In a city ravaged by a mysterious plague, a woman tries to understand why her world is falling apart. An algae bloom has poisoned the previously pristine air that blows in from the sea. In the short, desperate breaks between deadly windstorms, our narrator stubbornly tends to her few remaining relationships: with her difficult but vulnerable mother; with the ex-husband for whom she still harbors feelings; and with the boy she nannies, whose parents sent him away even as terrible threats loomed. Yet as conditions outside deteriorate further, her commitment to remaining in place only grows--even if staying means being left behind"--Dust jacket flap.

"Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams--invasive images of blood and brutality--torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and her sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her but also from herself."--Jacket.

"From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in a West that betrays its fundamental values. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: 'One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.' This tweet has been viewed more than 10 million times. As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human--not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. [This book] is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage"-- Dust jacket flap.

The author reopens the unsolved mystery of the most catastrophic library fire in American history. This book chronicles the Los Angeles Public Library (LAPL) fire, and its aftermath, to showcase the crucial role that libraries play in our lives. The author delves into the evolution of libraries around the world, from their humble beginnings to their status as a cornerstone of the community; brings the departments of the library to life through on-the-ground reporting; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the actor long suspected of setting fire to the LAPL. The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library? In addition to examining the circumstances of the fire, the author delves into the history of the LAPL. The book introduces us to a cast of characters from libraries past and present - from Mary Foy; who in 1880 at eighteen years old was named the head of the LAPL at a time when men still dominated the role, to Dr. C.J.K. Jones, "The Human Encyclopedia," who roamed the library dispensing information. The book introduces readers to Charles Lummis, an eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, and to the staff in the twenty-first century, who work every day to ensure that their institution remains a vital part of the city it serves.--adapted from publisher's description and end-papers.

"From her place in the store that sells artificial friends, Klara--an artificial friend with outstanding observational qualities--watches carefully the behavior of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In this luminous tale, Klara and the Sun, Nobel Prize winner Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?"-- Provided by publisher.

From the acclaimed Nobel Prize winner—a spellbinding symphony of passion and hatred, power and perversity, color and class that spans three generations of Black women in a fading beach town. “A marvelous work, which enlarges our conception not only of love but of racial politics.” — Los Angeles Times Book Review In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.

"Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she's constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth...As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”-all of the questions today's woman must face in a world trying to answer them for her"--from Publisher website.

Geek Love is the story of the Binewskis, a carny family whose mater- and paterfamilias set out ― with the help of amphetamine, arsenic, and radioisotopes ― to breed their own exhibit of human oddities. There's Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family's most precious ― and dangerous ― asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

Tommy Orange's wondrous and shattering novel follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism.

"Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are. Through evocative illustrations and sharp humor, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles--and finding a voice through cartooning--Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbors, and police officers and thus of his mortality. Drawing attention to the brutal murders of African Americans and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. And now Bell must decide whether he and his own six-year-old son are ready to have The Talk"--Page 4 of cover.

Hubert, Seth, and their ultra-rich heiress friend Natalie are getting a little old to hang out at the "Communist parties;" techno-raveups in abandoned industrial spaces, full of insta-printed drugs and toys. And Natalie was finished, years ago, with her overcontrolling zillionaire dad...And now that anyone can manufacture food, clothing, or shelter with equipment comparable to a computer printer, there seems to be little reason to stick with the world of rules and jobs. So, like hundreds of thousands of others in the mid-21st century, the three of them...walk away... Mind you, it's still dangerous out there. Much of the countryside is wrecked by climate change, and predators are with us always. Yet when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it's war--a war that will turn the world upside down.

"Cyrus Shams, the novel's hero, is a young man grappling with an inheritance of violence and loss: a mother whose plane was shot down over the skies of the Persian Gulf in a senseless accident and a father whose life in America was circumscribed by killing chickens on a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet whose obsession with martyrs leads him into the mysteries of his past--toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying; and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she might not have been who or what she seemed. Cyrus is guided on his journey by the voices of artists, poets, and kings, and delivered ... to a world that teems with unforeseen wonders"--Dust jacket flap.

"Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena's a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media"--Dust jacket flap.

"The Coin's narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly"-- Provided by publisher.

"What's to be done about a jaywalking moose? A grizzly bear caught breaking and entering? A murderous tree? As New York Times best-selling author Mary Roach discovers, the answers are best found not in jurisprudence but in science: the curious science of human-wildlife conflict, a discipline at the crossroads of human behavior and wildlife biology. Roach tags along with animal attack forensics investigators, human-elephant conflict specialists, bear managers, and 'danger tree' faller-blasters. She travels from leopard-terrorized hamlets in the Indian Himalaya to St. Peter's Square in the early hours before the Pope arrives for Easter Mass, when vandal gulls swoop in to destroy the elaborate floral display. Along the way, Roach reveals as much about humanity as about nature's lawbreakers. Combining little-known forensic science and conservation genetics with a motley cast of laser scarecrows, langur impersonators, and mugging macaques, Fuzz offers hope for compassionate coexistence in our ever-expanding human habitat" -- Provided by publisher.

"A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning. A child's picture of his home contains a dark secret message. A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbit hole that will reveal a horrifying reality. Structured around nine childlike drawings, every one holding a disturbing clue, this novel invites readers to piece together the harrowing truth behind each and the overarching backstory that connects them all. Strange Pictures is the bestselling international debut from mystery-horror YouTube sensation Uketsu--an enigmatic masked figure who has become one of Japan's most talked about contemporary authors"-- Dust jacket flap.

"Herculine's narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story--conversion therapy, a string of shitty low-paying jobs, and even shittier exes--but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she's ever encountered. Desperate to escape this ancient evil, she flees to rural Indiana, where her ex-girlfriend started an all-trans girl commune in the middle of the woods. The secluded camp, named after 19th-century intersex memoirist Herculine Barbin, is a scrappy operation, but the shared sense of community among the girls is a welcome balm to the narrator's growing isolation and paranoia. Still, something isn't quite right at Herculine. Girls stop talking as soon as she enters the room, everyone seems to share a common secret, and the books lining the walls of the library harbor strange cryptograms. Soon what once looked like an escape becomes a trap all its own."--Provided by publisher.

"The Left Hand of Darkness tells the story of a lone human emissary's mission to Winter, an unknown alien world whose inhabitants can choose--and change--their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters. Exploring questions of psychology, society, and human emotion in an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of science fiction"-- Provided by publisher.

"In this, his fifth book, Macfarlane brilliantly explores the linguistic and literary terrain of our archipelago, from the Shetlands to Cornwall, and from Cumbria to Suffolk. Landmarks is a book about the power of language - 'strong style, single words' - to shape our sense of place. It is both a field guide to the literature he loves (Nan Shepherd, Roger Deakin and many more), and a 'word-hoard', gathering an astonishing archive of place-terms from old Norse to Anglo-Romani, living Norman to Hebridean Gaelic. Over the book's course, via its chapters, its glossaries and surprise of its postscript - we come to mrealize that words, well used, are not just a means to describe landscape, but also a way to know it, and to love it. If we lose the rich vernacular lexis of these islands, developed over centuries, then we also risk impoverishing our relationship with nature and place"--Dust jacket flap.

"Raised in a conservative and emotionally volatile Palestinian family in Brooklyn, Yara thought she would finally feel free when she married a charming entrepreneur who took her to the suburbs. She's gotten to follow her dreams, completing an undergraduate degree in Art and landing a good job at the local college. As a traditional wife, she also raises their two school-aged daughters, takes care of the house, and has dinner ready when her husband gets home. With her family balanced with her professional ambitions, Yara knows that her life is infinitely more rewarding than her own mother's. So why doesn't it feel like enough? After her dream of chaperoning a student trip to Europe evaporates and she responds to a colleague's racist provocation, Yara is put on probation at work and must attend mandatory counseling to keep her position. Her mother blames a family curse for the trouble she's facing, and while Yara doesn't really believe in old superstitions, she still finds herself growing increasingly uneasy with her mother's warning and the possibility of falling victim to the same mistakes. Shaken to the core by these indictments of her life, Yara finds her carefully constructed world beginning to implode. To save herself, Yara must reckon with the reality that the difficulties of the childhood she thought she left behind have very real, and damaging, implications not just on her own future but that of her daughters"-- Provided by publisher.

"A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind"-- Dust jacket flap.

"Lucian Rollins is a lean, mean vengeance-seeking mogul. On a quest to erase his abusive father's mark on the family name, he spends every waking minute pulling strings and building his empire. The more money and power he gains, the safer he feels. Except when it comes to one feisty small-town librarian... Bonded by an old, dark secret from the past and their current mutual disdain, Sloane Walton trusts Lucian about as far as she can throw his designer-suited body. When bickering accidentally turns to foreplay, the flames are fanned, and it's impossible to put them out again. But with Sloane more than ready to start a family and Lucian refusing to even consider the idea of marriage and kids, these enemies-to-lovers are stuck at an impasse. Until Lucian learns the hard way that leaving Sloane is impossible--the very least he can do is to keep her safe"-- Provided by publisher.

"At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings. For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone?"--Dust jacket flap.

"A mother and son move to a village in northern Norway, each ensconced in their own world. Their distance has fatal consequences. Love is the story of Vibeke and Jon, a mother and son who have just moved to a small place in the north of Norway. It's the day before Jon's birthday, and a travelling carnival has come to the village. Jon goes out to sell lottery tickets for his sports club, and Vibeke is going to the library. From here on we follow the two individuals on their separate journeys through a cold winter's night - while a sense of uneasiness grows. Love illustrates how language builds its own reality, and thus how mother and son can live in completely separate worlds. This distance is found not only between human beings, but also within each individual. This novel shows how such distance may have fatal consequences"-- Provided by publisher.

"A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew"-- Provided by publisher.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. But everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.