"At age 26, Advika Srinivasan considers herself a failed screenwriter. To pay the bills and keep her mind off of the recent death of her twin sister, she's taken to bartending A-list events, including the 2015 Governors Ball, the official afterparty of the Oscars. There, in a cinematic dream come true, she meets the legendary Julian Zelding-a film producer as handsome as Paul Newman and ten times as powerful-fresh off his fifth best picture win. Despite their 41-year age difference, Advika falls helplessly under his spell, and their evening flirtation ignites into a whirlwind courtship and elopement. Advika is enthralled by Julian's charm and luxurious lifestyle, but while Julian loves to talk about his famous friends and achievements, he smoothly changes the subject whenever his previous relationships come up. Then, a month into their marriage, Julian's first wife-the famous actress Evie Lockhart-dies, and a tabloid reports a shocking stipulation in her will. A single film reel and $1,000,000 will be bequeathed to "Julian's latest child bride" on one condition: Advika must divorce him first. Shaken out of her love fog and still-simmering grief over the loss of her sister-and uneasy about Julian's sudden, inexplicable urge to start a family-Advika decides to investigate him through the eyes and experiences of his exes. From reading his first wife's biography, to listening to his second wife's confessional albums, to watching his third wife's Real Housewives-esque reality show, Advika starts to realize how little she knows about her husband. Realizing she rushed into the marriage for all the wrong reasons, Advika uses the info gleaned from the lives of her husband's exes to concoct a plan to extricate herself from Julian once and for all"-- Provided by publisher.

"B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider--a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete, B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization."-- Provided by publisher.

"After fourteen years in the making, renowned and beloved graphic novelist Sammy Harkham finally delivers his epic story of artistic ambition, the heartbreak that it can bring, and what it means to be human. Set in and around 1971 in Los Angeles, Blood of the Virgin follows an immigrant film editor named Seymour who is desperate to make his own movies. But without money or clout, he has no choice but to spend his days slumming it for the worst and most exploitative production company in town. When Seymour is given the chance to make a film of his own, his unbending principles and relentless drive violently clash with an industry that rewards everything but principles and drive. As Seymour's blind ambition pushes the movie along, his home life grows increasingly fraught. Blood of the Virgin uses the film's production as a means to spiral out in time and space to create an epic novel that explores the intersection of parenthood, 20th-century America, sex, the immigrant experience, and the era of grindhouse movies. Like a kaleidoscope, Blood of the Virgin shifts and evolves with each frame, allowing the reader to zoom out and see that at its core, this book is about the making of a man"-- Provided by publisher.

At the dawn of a new century, America is falling in love with silent movies. Wong Liu Tsong and her sister, daughters of Chinese immigrants who own a laundry, are taunted and bullied for their Chinese heritage. Determined to become an actress, Wong Liu has already chosen a stage name: Anna May Wong. Defying her disapproving father and her Chinese traditional upbringing will hold emotional and physical consequences. Her first taste of Hollywood fame starring opposite Douglas Fairbanks in The Thief of Bagdad isn't enough to overcome the racism that relegates her to supporting roles as a helpless, exotic butterfly or a vicious, murderous dragon lady. -- adapted from jacket

"As an undergraduate, Melina Green had a rare opportunity to have one of her first plays judged by famous theater critic Jasper Tolle, only to be publicly humiliated by a harsh and biased critique. Ten years later, her confidence as a playwright has never recovered, although she has just completed a work that she thinks is her best yet. It is based on the life of her ancestor Emilia Bassano, the first published female poet in England--and rumored to be the "Dark Lady" of Shakespeare's sonnets--but whom some scholars suspect may be the real author of a number of his plays. Melina wonders if she dares risk failure again, and then her best friend takes the decision out of her hands and submits it to a festival under a male pseudonym. In 1581, the young orphan Emilia Bassano is being raised in the ways of English aristocracy by the Baron Willoughby and his sister. Her lessons on languages, reading, and writing have endowed her with a sharp wit and a gift for storytelling. But like most women of her day, she has no control over her fate, and is ripped from her old life and forced to become a courtesan to Lord Hunsdon, a man knighted by Queen Elizabeth as the Lord Chamberlain in charge of all theater in London. Though she has no other freedoms, and inspired by the work of the most brilliant playwrights of the time, she pseudonymously sets her own pen to paper to tell a story. Told in dual intertwining timelines, this sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. As Emilia alters the course of her life and therefore the course of the world, she blazes a trail. Centuries later, will Melina face the same terrible fate--to have her work celebrated, but only at the price of letting another take credit?"-- Provided by publisher.

"G.W. Pabst, one of cinema's greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels--the minister of propaganda in Berlin--sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels's thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement"-- Provided by publisher.

"In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome's Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy. As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé"-- Provided by publisher.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded, and his reputation is second to none. Now he is about to stage a Tempest like no other: not only will it dazzle audiences, it will heal emotional wounds. At least that was the plan. Instead, after an act of unforeseen treachery, Felix finds himself living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. But he hasn't given up, and he is determined to exact revenge.

"Lilah Silver is an up-and-coming actress who longs to break out from the B-rate horror flicks she's known for. When she gets the chance to star in her first lead role, she'll need some major help from makeup artist and special effects guru Noa Birnbaum to shine brighter than all the rest. But can the major chemistry brewing over long hours spent together ever hope to survive the bright shine of the spotlight?"-- Provided by publisher.

"Willis Wu doesn't perceive himself as a protagonist even in his own life: He's merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He's a bit player here, too, but he dreams of being Kung Fu Guy--the most respected role that anyone who looks like him can attain. At least that's what he has been told, time and time again. Except by one person, his mother. Who says to him: Be more"--Dust jacket flap.

"In a tale befitting the saga he created, Lucas Wars follows George Lucas's journey from aimless dreamer to filmmaking trailblazer and prodigy of the New Hollywood movement. While his fellow rising stars--directors like Francis Ford Coppola, Steven Spielberg, and Martin Scorsese--craft The Godfather, Jaws, and Taxi Driver, Lucas follows his childhood dreams and begins work on an epic fantasy...which, he soon discovers, is not without its epic challenges" -- Provided by the publisher.

"Part one of this story takes place in 1947. A troubled soldier, returning from the war, meets his talented five-year-old nephew, leaves an indelible impression, and then disappears for 23 years. Cut to 1970: The nephew, now drawing underground comic books in Oakland, California, reconnects with his uncle and, remembering the comic book he saw when he was five, draws a new version with his uncle as a World War II fighting hero. Cut to the present day: A commercially successful director discovers the 1970 comic book and decides to turn it into a contemporary superhero movie. Cue the cast: We meet the film's extremely difficult male star, his wonderful leading lady, the eccentric writer/director, the producer, the gofer production assistant, and everyone else on both sides of the camera. Funny, touching, and wonderfully thought-provoking, this is a novel not only about the making of a movie, but also about the changes in America and American culture since World War II. Bonus material: Interspersed throughout are the three comic books that are featured in the story"-- Provided by publisher.

"How much of yourself are you willing to sacrifice in order to chase your dreams? After her sister Nena's sudden death, Xiomara, an Afro-Latina singer and actress born and raised in Washington Heights, is numb. With her sister gone, Xiomara is painfully close to thirty, living in a tiny apartment with her ultra-Catholic Puerto Rican mother, and having the same shitty sex with the same shitty men that she's been entertaining for years. Behind on rent despite two minimum-wage jobs, one of which involves singing show tunes while serving pancakes to tourists at Ellen's Stardust Diner, Xiomara is bitingly cynical, especially in her grief, and barely treading water. But when a once-in-a-lifetime opportunity to audition for Manny Santos, the most charismatic director of the moment, falls into her lap, it seems to Xiomara like a second chance to pursue the dream she thought she'd left behind has finally come. Meanwhile, something about Santi, a new coworker at the print shop where she spends half of her days photocopying other performers' headshots, starts to tug at the threads of her apathy. Nothing is simple, and soon Xiomara finds herself interacting with the ugliest sides of the industry and the powerful men that control it. While Xiomara grapples with the hard truth that sometimes the closer you are to your dreams, the further away from yourself you become, she is forced to ask herself if she has what it takes to build a new shiny life without losing the truth of her old one"-- Provided by publisher.

On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror-film director Stanislas Cordova ... a man who hasn't been seen in public for more than thirty years.

Once he had his own TV series, but now Rick Dalton's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? Cliff Booth is Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have gotten away with murder. Sharon Tate left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills. The ex-con Charles Manson's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star.

"Marissa Dahl, an up-and-coming film editor with a flair for faux pas, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. However, there are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the previous editor. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself"--Dust jacket flap.

"She's rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She's spent her life studying, obsessing over, and writing romantic comedies--good ones! That win contests! But she's also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates--The Charlie Yates! Her personal writing god!--it's a break too big to pass up. Emma's younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don't meet your heroes? Charlie Yates doesn't want to write with anyone--much less "a failed, nobody screenwriter." Worse, the romantic comedy he's written is so terrible it might actually bring on the apocalypse. Plus! He doesn't even care about the script--it's just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma's not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter--even if she has to kiss him senseless to do it. But... what if that kiss is accidentally amazing? What if real life turns out to be so much more real than fiction? What if the love story they're writing breaks all Emma's rules--and comes true?"-- Provided by publisher.

"Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment; he climbs out the window and into the downstairs apartment, but one danger leads to another. In the dark he sees a body lying on the bed. Shortly after, another body is found, and the victim is Carmelo Catalanotti, a director of bourgeois dramas. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with, as well as strange notebooks full of figures and dates and names. Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters, and the notes on his last drama, Dangerous Turn--the theater is where he'll find the answer"-- Provided by publisher.

"Montserrat has always been overlooked. She's a talented sound editor, but she's left out of the boys' club running the film industry in '90s Mexico City. And she's all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she's been in love with him since childhood. Then Tristán discovers that his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives--even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse--but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies"--Dust jacket flap.

"Unruly crowds descend on Crillick's Variety Theatre. The young, mixed-race actress Zillah is headlining tonight as 'The Great Amazonia, a Savage Queen from Darkest Africa.' Zillah, an orphan from the slums of Victorian London, knows that her rise to stardom is her ticket to freedom and, she hopes, to high society. The absurd caricature of her role, along with the leers of the drunken audience, are simply the price she's willing to pay. Zillah's late mother made her promise to make a better life for herself, and now she's on the verge of attaining everything she's ever dreamed of. But when Crillick's newest Black actress suddenly disappears, Zillah is haunted by worry--can she risk her own neck to save this troubled stranger? A reckless pursuit of the truth takes Zillah into the underbelly of the city ... as she seeks help from both rich admirers of the Great Amazonia and notorious criminals from her past, and where she will quickly find herself torn between two powerful worlds"--Dust jacket flap.

"Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic - that might garner international attention - in the West Bank. Her mother, Naya, and grandmother, Zoya, hatch a plot to match her with Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz, since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster ... This dramatic saga follows one family's epic journey fleeing war-torn Jaffa in 1948, chasing the American Dream in Detroit and San Francisco in the sixties and seventies, hustling in the New York theatre scene post-9/11, and daring to stage a show in Palestine in 2012. Upon learning one of them is living on borrowed time, the three women fight to live, make art, and love on their own terms"-- Dust jacket flap.

"In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarefied bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When, within this striving 'Brotherhood of the Arts,' two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed--or untoyed with--by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls--until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside down"--Dust jacket flap.

"In 1969, twenty-three-year-old starlet Lori Lovely, the apple of Hollywood's eye, shocks the world by ditching a promising film career to take vows of poverty, chastity, and obedience as a Benedictine nun. Gossip columnists and scandal sheets can't get enough of the story. Why would such a beautiful girl take the veil? Was she hiding from someone? Did it have anything to do with the tragic death of her costar, heartthrob singer Lucas Wesley? In 1990, Lu Tibbott is under the gun to complete her senior thesis in modern American history. Instead of spending weeks in dusty archives, Lu decides to dig into a true twentieth-century mystery and write about her aunt Lori, now the Mother Abbess at a cloistered convent in rural New England. Biographers, bloggers, and media types have long speculated about her aunt Lori's sudden departure from Hollywood. Mother Lori, however, has refused all requests for interviews--until Lu arrives at the abbey. Mother Lori announces she's finally ready to talk...but only if Lu is truly ready to listen. Lu is shocked to discover that the story of Lori Lovely's rise in Hollywood was far more tumultuous than she'd ever expected, a fairy tale twisting with ambition, unforeseen alliances, forbidden love, and secrets"-- Dust jacket flap.